Forrest Frank 2025 Tour Tickets

Who Is Forrest Frank? A Deeper Dive into the Rising Indie Star

A multi-talented singer, songwriter, producer, and instrumentalist, Forrest blends indie pop’s breezy charm, alternative rock’s gritty edge, and electronic music’s pulsating energy into a signature style that’s uniquely his own. His songs aren’t just earworms—they’re heartfelt confessions, introspective journeys, and anthems of personal growth that stick with you long after the last note fades. As he gears up for his 2025 Child of God Tour Part 2, Forrest Frank is poised to bring his raw talent and emotional depth to stages across the U.S. and Canada, cementing his status as a must-watch artist.

So, who is this guy, really? Let’s unpack the man behind the music.

The Roots—From Texas to the Spotlight

Forrest Frank was born on July 8, 1995, in Houston, Texas—a city known for its sprawling energy and musical diversity, which undoubtedly shaped his eclectic sound. Growing up, he was steeped in a mix of influences: the upbeat grooves of pop, the soulful resonance of gospel, and the chill vibes of coastal culture. Before he was a solo star, Forrest cut his teeth as one-half of Surfaces, the Texas-based duo he co-founded with Colin Padalecki in 2017 while they were students at Baylor University in Waco. Surfaces blew up with their 2019 viral hit “Sunday Best”—a sunny, feel-good bop that racked up over 1 billion streams and landed them on charts worldwide. That success gave Forrest a launchpad, but it was just the beginning.

By 2021, Forrest felt a pull to step out solo. After years of touring with Surfaces, he took a break, moved back to Waco, became a father, and started crafting music that was all his own. His debut solo project, California Cowboy (2023), was a toe-dip into independence—blending lo-fi pop with reggae and R&B vibes—but it was 2024’s Child of God that shot him into the stratosphere. With over 1 billion global streams, a No. 1 spot on the iTunes Overall Top Albums Chart, and a Grammy nod, Forrest proved he wasn’t just a sidekick—he was a headliner.

The Sound—A Tapestry of Heart and Soul

What makes Forrest Frank’s music tick? It’s a sonic stew that’s tough to pin down but impossible to ignore. Imagine indie pop’s airy melodies crashing into alternative rock’s raw emotion, with electronic beats pulsing underneath and a dash of gospel’s spiritual lift. His tracks—like “Good Day” (a Dove Award winner) or “Never Get Used to This” with JVKE—feel like a warm hug one minute and a dance party the next. Critics call it “spiritual pop with chill vibes” (Shazam’s apt description), but it’s more than that—it’s music that moves you, body and soul.

Forrest’s voice is the secret sauce—smooth yet textured, with a delivery that’s earnest and unpretentious. Whether he’s belting a high note or crooning a soft refrain, there’s a warmth that pulls you in. His production chops shine too—layering synths, crisp percussion, and guitar riffs into tracks that feel both intimate and expansive. Take “Daydreams” (from his early solo days)—it’s a mellow escape, all hazy vibes and wistful lyrics about chasing what matters. Then there’s “Golden Hour,” a shimmering ode to life’s fleeting beauty that’s got fans on X calling it “a soundtrack for sunsets.” His breakthrough hit “Up!” from Child of God blends hip-hop swagger with worshipful joy, while “Lift My Hands” soars with quiet reverence. It’s this range—introspective one minute, infectious the next—that’s hooked millions.

The Lyrics—Raw, Real, Relatable

Forrest’s pen is where his heart lives. His lyrics are a window into his world—honest, vulnerable, and often tinged with a faith that’s as personal as it is universal. Themes of love, life, and growth weave through his songs, delivered with a sincerity that cuts through the noise. “I’m a child of God, yeah, I’m a mess sometimes,” he sings on “Child of God”—it’s a line that sums up his ethos: flawed, human, and striving. Tracks like “No Longer Bound” (with Hulvey) tackle redemption with raw power, while “Always” offers a tender promise of steadfastness.

He’s not afraid to get real—posts on X from fans praise how his music “feels like therapy”—and that openness resonates. Whether he’s reflecting on fatherhood, wrestling with doubt, or celebrating small wins, Forrest’s words hit home. It’s not preachy; it’s personal. His Surfaces days leaned on carefree optimism, but solo, he digs deeper—think less “Sunday Best” and more “Sunday soul-searching.” That authenticity has built a fanbase that doesn’t just listen—they connect.

The Rise—From Viral Hits to Grammy Nods

Forrest’s journey to prominence is a slow burn turned wildfire. Surfaces laid the groundwork—Where the Light Is (2019) and Horizons (2020) were sleeper hits that exploded thanks to TikTok and Spotify playlists. But going solo was the game-changer. Child of God (July 2024) was a rocket—60,000 pre-saves, a No. 1 iTunes debut, and over 1 billion streams in months. Billboard crowned him the Top New Christian Artist of 2023 and 2024 back-to-back, while the album snagged a Grammy nomination for Best Contemporary Christian Music Album. “Good Day” won a Dove Award for Pop/Contemporary Song, and he nabbed New Artist of the Year too.

His 2024 Child of God Tour sold out coast-to-coast—Dallas fans on Bandsintown called it “pure worship with 10,000 friends”—and his socials exploded to nearly 6 million followers across platforms. Radio embraced him too—“Never Get Used to This” climbed to No. 18 on Billboard’s Christian Airplay chart, while “Lift My Hands” hit No. 29. By late 2024, a deluxe Child of God drop and a holiday single, “The Present,” kept the momentum rolling. Forrest wasn’t just rising—he was rewriting the indie-Christian crossover playbook.

The Man—Faith, Family, and Vibes

Behind the mic, Forrest is a 29-year-old Texan with a laid-back spirit and a big heart. Raised in a Christian home, faith’s a cornerstone—his music’s packed with gratitude and grace, but never heavy-handed. He’s a dad now, a shift that’s softened his edges and deepened his art. “I took a year off to figure out who I was outside the band,” he told Gospel Music in 2024, and that reset birthed his solo path. He’s a multi-instrumentalist—guitar, keys, drums—and a producer who’s as comfy in a studio as he is onstage.

Offstage, he’s a chill dude—think flip-flops, baseball caps, and a love for Whataburger (a true Texan). His Instagram (@forrestfrankmusic) is a mix of tour snaps, family moments, and goofy memes—fans adore his “normal guy” energy. Posts on X call him “the next TobyMac,” but Forrest shrugs it off: “I just wanna make music that means something.”

The Live Magic—Why 2025 Matters

Forrest’s live shows are where the magic happens—think confetti cannons, kids dancing onstage, and a crowd singing every word. His 2024 tour was a revelation—Riverside fans raved about his “meet-and-greet realness” (Bandsintown), while Chicago called it “a spiritual hype session.” The Child of God Tour Part 2 in 2025—kicking off March 27 in Fishers, IN, with Elevation Rhythm—spans 26 U.S. and Canada dates, hitting spots like Miami’s James L. Knight Center (May 15) and Toronto’s Coca-Cola Coliseum (April 1). It’s his biggest run yet, promising new tracks (maybe from that rumored 2025 album) alongside hits like “Hallelujah” and “Up!” Expect high energy, raw emotion, and a stage that feels like a revival tent meets a rave.

Why He Stands Out

Forrest Frank isn’t chasing trends—he’s setting them. His sound bridges indie’s cool-kid cred with Christian music’s soul, appealing to churchgoers and playlist junkies alike. His vulnerability—laid bare in songs and that easy smile—builds a bond fans can’t resist. At 29, with Grammy nods, Dove wins, and a tour that’s already a hot ticket, he’s not just a musician—he’s a movement. Posts on X sum it up: “Forrest makes you feel seen.” That’s the magic headed your way in 2025—don’t miss it.